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"Mantegna" at the Musée du Louvre

Eni is the Mécène Principal of the exhibition "Mantegna (1431-1506)", alt the Musée du Louvre in Paris from 26 September 2008 to 5 January 2009.

For first time in France a monographic exhibition will cover, with a chronological range of 190 masterpieces, the period and works one of the most representative artists of the Italian renaissance and an artist who contributed to the renewal of figurative language in Italy and across Europe.

The exhibition met with wide public acclaim: 320,586 visitors, a daily average of 3,728, an exceptional figure, above all, when compared with recent exhibitions at the Louvre in the 2008 season. The exhibition also benefited from extensive press coverage. As well as numerous radio and television broadcasts, around 286 articles were published: 47 in the specialised press, 43 in national a regional newspapers, 25 in weeklies, 32 in monthlies and 136 in the foreign press.  

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Following the great exhibitions in London and New York in 1992, the exhibition at the Louvre will be a chronological retrospective of the work of Mantenga. The French museum, that owns the world's largest collection of works by Mantegna, has also obtained exceptional loans of some well-know paintings by the artist such as Saint John the Baptist from the Kunsthistorisches Museum in Vienna, and The Triumph of Ceasar, from Hampton Court.

The artist's original and sometimes audacious use of perspective, scenic monumentality, plasticity and the sharpness of the figures depicted show a profound familiarity with ancient art, achieved during his years of training and determining the uniqueness of his work.

In Italy, from 16 September 2006 to 14 January 2007, the National Committee for the celebration of the fifth centenary of the artist's death, celebrated Andrea Mantegna with exhibitions in each of the cities in which the presence of both the artist and his work is well documented: Padua, Verona and Mantua.

Eni was the main sponsor of the exhibition in Mantua, the city in which Mantegna spent his most decisive artistic period. Around sixty works were on show at the Palazzo Te showing the influence that his work had on the generation of artists that succeeded him.

"The Culture of Energy and The Energy of Culture", reflects the idea behind Eni's commitment to the promotion of artistic, cultural and musical events in the countries in which it operates and its role as the Mécène Principal of the "Mantegna" exhibition is further evidence of this commitment.

Paris, opening ceremony at the Louvre Museum
Paris, opening ceremony at the Louvre Museum
Sandro Bondi, Ministro Beni a Attività Culturali, Roberto Poli, Eni Chaiman, and Valéry Giscard d'Estaing
Raffaella Leone, Executive Assistant to the CEO of Eni, Caudia Cardinale, Maria Teresa Scajola, the wife of Roberto Poli and Francesca Dionisi Vici, Chairman Assistant
Domenico Dispenza, Chief Operating Officer of Eni's Gas & Power Division, Camillo Gloria, Eni's Gas & Power Division, Valéry Giscard d'Estaing
Paris, opening ceremony at the Louvre Museum
Paris, opening ceremony at the Louvre Museum
Massimo Nava, Stefano Lucchini, Public Affairs and Communication Department,  Sandro Bondi, Ministro Beni a Attività Culturali, Roberto Poli, Eni Chaiman
Massimo Nava, Stefano Lucchini, Public Affairs and Communication Department, Sandro Bondi, Ministro Beni a Attività Culturali, Roberto Poli, Eni Chaiman
Sandro Bondi, Ministro Beni a Attività Culturali, Roberto Poli, Eni Chaiman, Camillo Gloria, Eni's Gas & Power Division, Robert Delbos, Chief Operating Officer Altergaz e Henri Loyrette, director of Louvre
Sandro Bondi, Ministro Beni a Attività Culturali, Roberto Poli, Eni Chaiman, Camillo Gloria, Eni's Gas & Power Division, Robert Delbos, Chief Operating Officer Altergaz e Henri Loyrette, director of Louvre
Paris, opening ceremony at the Louvre Museum
Paris, opening ceremony at the Louvre Museum

23 September 2008
Eni event organized at the opening of the exhibition
"Mantegna (1431-1506)", at the Musée du Louvre
in Paris

A visionary artist, Andrea Mantegna used a range of techniques and experimented with different genres. An eclectic genius, the Italian artist was an expert in drawing, miniatures, painting on wood and on canvas, and sculpture.

In Italy, Mantegna was also the initiator of engraving, a technique that rapidly won him fame across Europe. Called the "primo pictore del mondo", he left to posterity a heritage that went well beyond the borders of Italy , spreading all across Europe.

Andrea Mantegna was born at Isola di Carturo,in 1431. In 1441 the boy Andrea was registered in Padua as the adopted son of the painter Francesco Squarcione and enrolled in the painters' guild of that city.

He was influenced by the artists of his time and became, in turn, a source of inspiration for many French artists of the sixteenth and seventeenth centuries, including Pousssin and, much later, Degas. The Louvre's exhibition will present and highlight this influence.

Go to the biography

Adoration des bergers
1455-1456 env. Bois transposé sur toile. H. 40 ; l. 55, 6 cm
New York, The Metropolitan Museum of Art, inv. 1932. 32.130.2
© 1991 The Metropolitan Museum of Art
Ecce Homo
1500 env. Toile. H. 54 ; l. 42 cm
Paris, Musée Jacquemart-André, inv. 1840
© Institut de France / Musée Jacquemart André

La Circoncision
1460-1464 env. Bois. H. 86 ; l. 43 cm
Florence, Galleria degli Uffizi, inv. 1890, n. 910
© Soprintendenza Speciale per il polo museale
fiorentino, Florence
La Crucifixion (dit Le Calvaire) 1457-1459.   Bois. H. 76 ; l. 96 cm Paris,   musée du Louvre, département   des Peintures, inv. 368 ©   RMN / Thierry Le Mage

La Crucifixion (dit Le Calvaire)
1457-1459. Bois. H. 76 ; l. 96 cm
Paris, musée du Louvre,
département des Peintures, inv. 368
© RMN / Thierry Le Mage

La Mort de la Vierge 1460-vers   1464 Bois.   H. 54, 5 ; l. 42 cm Madrid,   Musée du Prado, inv. 248 ©   Museo Nacional del Prado, Madrid
La Mort de la Vierge
1460-vers 1464
Bois. H. 54, 5 ; l. 42 cm
Madrid, Musée du Prado, inv. 248
© Museo Nacional del Prado, Madrid
La Prière au jardin des oliviers 1453-1454.   Bois. H. 63 ; l. 80 cm Londres,   National Gallery inv. 1417 ©   The National Gallery, Londres
La Prière au jardin des oliviers
1453-1454. Bois. H. 63 ; l. 80 cm
Londres, National Gallery inv. 1417
© The National Gallery, Londres
La Prière au jardin des Oliviers Bois   transposé sur toile collée sur bois 1457-1459.   H. 71,1 ; l. 93,7 cm Tours,   musée des Beaux-Arts, inv. 803-1-24 ©   Musée des Beaux-Arts de Tours
La Prière au jardin des Oliviers
Bois transposé sur toile collée sur bois
1457-1459. H. 71,1 ; l. 93,7 cm
Tours, musée des Beaux-Arts, inv. 803-1-24
© Musée des Beaux-Arts de Tours

La prophétesse Hulda et le prêtre   Helquia 1500-1502   ? Toile.   H. 59 ; l. 51, 4 cm Cincinnati   Art Museum, inv.   1927.406 ©   Cincinnati Art Museum
La prophétesse Hulda et le
prêtre Helquia

1500-1502 ?
Toile. H. 59 ; l. 51, 4 cm
Cincinnati Art Museum,
inv. 1927.406
© Cincinnati Art Museum
La Résurrection 1457-1459.   Bois. H. 71, 1 ; l. 94 cm Tours,   musée des Beaux-Arts, inv. 803-1-25 ©   Musée des Beaux-Arts de Tours
La Résurrection
1457-1459. Bois. H. 71, 1 ; l. 94 cm
Tours, musée des Beaux-Arts, inv. 803-1-25
© Musée des Beaux-Arts de Tours

La Vierge de la Victoire 1495-1596 Toile.     H. 2, 85 ; l. 1, 68 m Paris,   musée du Louvre, département   des Peintures, inv. 369 ©   RMN / Jean-Gilles Berizzi
La Vierge de la Victoire
1495-1596
Toile. H. 2, 85 ; l. 1, 68 m
Paris, musée du Louvre,
département des Peintures, inv. 369
© RMN / Jean-Gilles Berizzi

La Vierge d'humilité Burin,   premier état. H. 27, 7 ; l. 23, 1 cm Washington,   National Gallery of Art, inv. 1998.50.1 ©   Courtesy of the Board of Trustees, National   Gallery of Art, Washington
La Vierge d'humilité
Burin, premier état. H. 27, 7 ; l. 23, 1 cm
Washington, National Gallery of Art, inv. 1998.50.1
© Courtesy of the Board of Trustees,
National Gallery of Art, Washington
L'Adoration des Mages 1495-1500   env. Toile. H. 54, 6 ; l. 70, 7 cm Los   Angeles, The J. Paul Getty Museum, inv. 85 PA 417 ©   The J. Paul Getty Museum
L'Adoration des Mages
1495-1500 env. Toile. H. 54, 6 ; l. 70, 7 cm
Los Angeles, The J. Paul Getty Museum, inv. 85 PA 417
© The J. Paul Getty Museum
Le Christ de pitié soutenu par un séraphin et un chérubin Vers   1485-1490 Bois.   H. 78 ; l. 48 cm Copenhague,   Statens Museum for Kunst, inv. Rm.Sp.n° 69 ©   Statens Museum for Kunst
Le Christ de pitié soutenu par un séraphin et un chérubin
Vers 1485-1490
Bois. H. 78 ; l. 48 cm
Copenhague, Statens Museum for Kunst, inv. Rm.Sp.n° 69
© Statens Museum for Kunst

Le Combat des dieux marins Burin.   H. 28,3 ; l. 82,6 cm Chatsworth,   Duc de Devonshire, inv. Formerly Prints, Album I, n. 38 (deux feuilles assemblées)
Le Combat des dieux marins
Burin. H. 28,3 ; l. 82,6 cm
Chatsworth, Duc de Devonshire, inv. Formerly Prints, Album I, n. 38 (deux feuilles assemblées)
Le Parnasse 1496-1497   env. Toile. H. 1, 59 ; l. 1, 92 m Paris,   musée du Louvre, département   des Peintures, inv. 370 ©   RMN / DR
Le Parnasse
1496-1497 env. Toile. H. 1, 59 ; l. 1, 92 m
Paris, musée du Louvre,
département des Peintures, inv. 370
© RMN / DR

L'enfant Jésus 1450. Détrempe sur   parchemin. H. 27, 3 ; l. 18,3   cm<br/>   dans Eusebii Pamphili temporum liber   seu chronicon ab Adamo ad annum Christi 326<br/>   Venise, Biblioteca Nazionale   Marciana, Cod. Lat. IX.I (3496), fol. 133 v°<br/ >   © Ministero per i   beni e le Attività Culturali, Biblioteca Nazionale   Marciana,   Venezia

L'enfant Jésus 1450.
Détrempe sur parchemin. H. 27, 3 ; l. 18,3 cm dans Eusebii Pamphili temporum liber seu chronicon ab Adamo ad annum Christi 326 Venise, Biblioteca Nazionale Marciana, Cod. Lat. IX.I (3496), fol. 133 v°
© Ministero per i beni e le Attività Culturali, Biblioteca Nazionale Marciana, Venezia

Minerve chassant les Vices du jardin de la Vertu 1500-1502   env. Toile. H. 1, 60 ; l. 1,92 m Paris,   musée du Louvre, département   des Peintures, inv. 371 ©   RMN / Gérard Blot
Minerve chassant les Vices du jardin de la Vertu
1500-1502 env. Toile. H. 1, 60 ; l. 1,92 m
Paris, musée du Louvre,
département des Peintures, inv. 371
© RMN / Gérard Blot

Oiseau sur une branche Plume   et encre brune. H. 10, 4 ; l. 11, 5 cm Washington,   National Gallery of Art, inv. 1976.33.1 ©   Courtesy of the Board of Trustees, National   Gallery of Art, Washington
Oiseau sur une branche
Plume et encre brune.
H. 10, 4 ; l. 11, 5 cm
Washington, National Gallery of Art, inv. 1976.33.1
© Courtesy of the Board of Trustees,
National Gallery of Art, Washington
Pietà. 1456-1459 env. Plume   et encre brune. H. 12, 7 ; l. 9, 8 cm Venise,   Galleria dell'Accademia, Gabinetto dei Disegni e Stampe,   inv. n. 115 ©   Su concessione del Ministero per i Beni e la Attività Culturali,   Venise
Pietà. 1456-1459 env.
Plume et encre brune. H. 12, 7 ; l. 9, 8 cm
Venise, Galleria dell'Accademia, Gabinetto dei Disegni e
Stampe, inv. n. 115
© Su concessione del Ministero per i Beni e la Attività
Culturali, Venise
Giovanni Bellini Pietà.   Vers 1480 Plume,   encre brune et lavis brun. H. 13 ; l. 9, 4 cm Londres,   British Museum, Department of Prints and Drawings,   inv. 1895-9-15-791 ©   The Trustees of the British Museum, Londres
Giovanni Bellini
Pietà.
Vers 1480
Plume, encre brune et lavis brun. H. 13 ; l. 9, 4 cm
Londres, British Museum, Department of Prints and
Drawings, inv. 1895-9-15-791
© The Trustees of the British Museum, Londres
Sainte Famille entre sainte Elisabeth et saint Jean-Baptiste   enfant Toile.   H. 75 ; l. 61, 5 cm Dresde,   Gemäldegalerie, inv. 51 ©   Staatliche Kunstsammlungen Dresden
Sainte Famille entre sainte Elisabeth et saint
Jean-Baptiste enfant
Toile
. H. 75 ; l. 61, 5 cm
Dresde, Gemäldegalerie, inv. 51
© Staatliche Kunstsammlungen Dresden
Saint Marc 1447-1448   env. Toile. H. 81,1 ; l. 63, 7 cm Francfort,   Städelsches Kunstinstitut, inv. 1046 ©   Ursula Edelmann / Artothek
Saint Marc
1447-1448 env. Toile. H. 81,1 ; l. 63, 7 cm
Francfort, Städelsches Kunstinstitut, inv. 1046
© Ursula Edelmann / Artothek
Saint Sébastien 1470-1475.   Bois. H. 68 ; l. 30 cm Vienne,   Kunsthistorisches Museum, inv. 301 ©   Kunsthistorisches Museum, Wien
Saint Sébastien
1470-1475. Bois. H. 68 ; l. 30 cm
Vienne, Kunsthistorisches Museum, inv. 301
© Kunsthistorisches Museum, Wien
Saint Sébastien Vers   1478 - 1480    Toile de lin. H. 2, 55 ; l. 1, 40 m Paris,   musée du Louvre, département des Peintures, inv. R.F. 1766 ©   RMN / René-Gabriel Ojéda
Saint Sébastien
Vers 1478 - 1480
Toile de lin. H. 2, 55 ; l. 1, 40 m
Paris, musée du Louvre, département des Peintures, inv. R.F. 1766
© RMN / René-Gabriel Ojéda

Sainte Euphémie 1454.   Toile. H. 1, 71 ; l. 0, 78 m Naples,   Museo di Capodimonte, inv. Q. 1930 ©   Ministero per i Beni e le Attività Culturali, Soprintendenza   speciale per il Polo Museale Napoletano   / Antonio d'Antonio
Sainte Euphémie
1454. Toile. H. 1, 71 ; l. 0, 78 m
Naples, Museo di Capodimonte, inv. Q. 1930
© Ministero per i Beni e le Attività Culturali,
Soprintendenza speciale per il Polo Museale
Napoletano / Antonio d'Antonio
Sainte Justine 1453-1455.   Panneau du poliptique de San Luca Bois.   H. 1, 18 ; l. 0, 42 m Milan,   Pinacoteca di Brera, inv. 165 ©   Sovr. Beni artistici e storici, Pinacoteca di Brera, Milan
Sainte Justine
1453-1455. Panneau du poliptique de San Luca
Bois. H. 1, 18 ; l. 0, 42 m
Milan, Pinacoteca di Brera, inv. 165
© Sovr. Beni artistici e storici, Pinacoteca di Brera, Milan
Sculpteur Lombard (Giovanni Pietro et Giovanni Ambrogio), d'après Andrea   Mantegna La   Mise au tombeau Vers   1480 Bois   polychrome, grave, peint et doré. H. 1, 89 ; l. 1, 25 cm Milan,   Castello Sforzesco, Civiche Raccolte d'Arte Applicata, inv. SL 76 (depôt   de la Pinacoteca di Brera) ©   Civiche Raccolte d'Arte Applicata / Fiorenzo Cantalupi, Milan
Sculpteur Lombard (Giovanni Pietro et Giovanni Ambrogio), d'après
Andrea Mantegna
La Mise au tombeau
Vers 1480
Bois polychrome, grave, peint et doré. H. 1, 89 ; l. 1, 25 cm
Milan, Castello Sforzesco, Civiche Raccolte d'Arte Applicata, inv. SL 76
(depôt de la Pinacoteca di Brera)
© Civiche Raccolte d'Arte Applicata / Fiorenzo Cantalupi, Milan
Les Triomphes de César, Les   Porteurs de vases Avant   1506, après 1490 Toile.   H. 2, 66 ; l. 2, 78 m Hampton   Court, The Royal Collection ©   The Royal Collection ©   2008, Her Majesty Queen Elizabeth II
Les Triomphes de César,
Les Porteurs de vases
Avant 1506, après 1490
Toile. H. 2, 66 ; l. 2, 78 m
Hampton Court, The Royal Collection
© The Royal Collection
© 2008, Her Majesty Queen Elizabeth II





Last updated on 04/09/09